Reviews from
"Blues Called My Name" by Anthony Geraci
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Blues Matters
ANTHONY GERRACI
BLUES CALLED MY NAME
Blue Heart Records
Over the 10 tracks that make up, Blues
Called My Name the multi-award-winning
Anthony Geraci shows why he has earned his
reputation as a keyboard player, composer
and band musician. The mood ranges across
the album from upbeat boogie stomps to slow,
down-home blues, with five original songs
and five instrumentals. A series of guest
musicians add to the mix, with the
guitarists Monster Mike Welch and Walter
Trout being two of the more notable names
that add fire to the songs that they feature
on. With only one song sung by Geraci, the
upbeat jump jive I Go Ooh, singers such as
Sugar Ray Norcia, on the opening title That
Old Pine Box and the title track The Blues
Called My Name and Erika Van Pelt on Corner
of Heartache and Pain add their bluesy
heartfelt efforts to the mix. It is on
the instrumentals that Geraci’s talent
shines the brightest, with the Latin
feel of About Last Night and the
boogie-woogie trio playing on Boston Stomp
that are the two best examples of his
talent. Into the Night, which features the
legendary Walter Trout playing the guitar
shows a lot of restraint, with very little
of the showboating that many lead guitarists
lose themselves in. It is not just the
internationally known names that add value
to the mix, the guitars of Charlie O’Neal on
that Old Pine Box, Barret Anderson on I
Ain’t Going to Ask, and the Violin of Anne
Harris on the moodier tonal poem of Wading
in the Vermillion also set very high musical
standards. The album closes with the solo
piano playing of Song for Planet Earth. The
musicianship is of a uniformly high
standard, matching the material and it is a
worthwhile listen, just to hear talent like
this playing together.
BEN MACNAIR
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ANTHONY GERACI – BLUES
CALLED MY NAME
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Anthony Geraci wist als vierjarige al dat hij ooit pianist wou
worden. Zijn ouders waren zelf niet erg muzikaal, maar steunden hem
in zijn passie en voornemens. Hij volgde eerst piano lessen in New
Haven, Connecticut en later aan het Berklee College of Music in
Boston. Op school raakte hij bevriend met Ed Cherry, die later jazz
gitarist werd. Veteraan Anthony Geraci zit ondertussen al méér dan
40 jaar als blues/jazz pianist en componist in het vak. Geraci is
nog steeds een origineel lid van Sugar Ray & the Bluetones én van
Ronnie Earl & the Broadcasters. Hij had ook een eigen band, Little
Anthony & the Locomotives. Opnoemen met wie hij al op het podium
stond en tijdens welke festivals (waaronder Blues Peer) of voor wie
hij al componeerde, is een onbegonnen taak (en kan je op zijn site
in detail terug vinden). Aan Geraci’s album ‘Why Did You Have to Go’
(2018) nodigde Geraci een indrukwekkend aantal vrienden -Blues Music
Awards winnaars & leden van de Bluetones- uit: Ronnie Earl, Sugar
Ray Norcia, Monster Mike Welch, Michael “Mudcat” Ward & Neil Gouvin.
De lijst is nog niet volledig, want er ontbreken nog zangeres
Michelle “Evil Gal” Wilson, zangers Sugaray Rayford, Willie J.Laws,
Dennis Brennan & Brian Templeton, gitaristen Kid Ramos & Troy Gonye,
bassist Willie J.Campbell, drummers Jimi Bott & Marty Richards en
een blazerssectie (Sax Gordon Beadle & trompettist Doug Woolverton).
Voor zijn nieuwe album ‘Blues Called My Name’ trok hij naar de
studio met o.a. Sugar Ray Norcia (zang), bassist Paul Loranger &
drummer Jeff Armstrong, gitarist Charlie O’Neal én meerdere gast
gitaristen waaronder Monster Mike Welch en Walter Trout, zangeres
Erika Van Pelt en violiste Anne Harris.
Anthony Geraci knew at the age of four that he wanted to be a
pianist one day. His parents were not very musical themselves, but
supported him in his passion and intentions. He first took piano
lessons in New Haven, Connecticut and later at Berklee College of
Music in Boston. At school he befriended Ed Cherry, who later became
a jazz guitarist. Veteran Anthony Geraci has been in the business
for more than 40 years as a blues/jazz pianist and composer. Geraci
is still an original member of Sugar Ray & the Bluetones and of
Ronnie Earl & the Broadcasters. He also had his own band, Little
Anthony & the Locomotives. Mentioning who he has already performed
on stage with and during which festivals (including Blues Peer) or
for whom he has already composed is an impossible task (and you can
find more details on his site). On Geraci's album 'Why Did You Have
to Go' (2018), Geraci invited an impressive number of friends -Blues
Music Awards winners & members of the Bluetones-: Ronnie Earl, Sugar
Ray Norcia, Monster Mike Welch, Michael “Mudcat” Ward & Neil Gouvin.
The list is not exhaustive yet, as we are still missing singer
Michelle “Evil Gal” Wilson, singers Sugaray Rayford, Willie J.Laws,
Dennis Brennan & Brian Templeton, guitarists Kid Ramos & Troy Gonye,
bassist Willie J.Campbell, drummers Jimi Bott & Marty Richards and
a horn section (“Sax” Gordon Beadle & trumpeter Doug Woolverton).
For his new album 'Blues Called My Name' he went to the studio with
Sugar Ray Norcia (vocals), bassist Paul Loranger & drummer Jeff
Armstrong, guitarist Charlie O'Neal and several guest guitarists
including Monster Mike Welch and Walter Trout, singer Erika Van Pelt
and violinist Anne Harris.
Lees meer...ROOTSTIME.BE
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Anthony Geraci Blues Called My Name
May 1, 2022
Blues Called My Name
Blue Heart Records
The first time I ever heard Anthony Geraci was on his previous
recording “Take It from Me” where he was paired playing piano with
Sugar Ray Norcia who was on harmonica and vocals. At the time Geraci
also fronted his own band and the previous year had in released
“Anthony Geraci and the Loco-Movites Can’t Take It” with his own
band. He has since recorded several jazz albums showcasing his
strength on the keyboards.
When Sugar Ray retired Geraci recorded as Anthony Geraci and the
Boston Blues All-stars with the rhythm section of drummer Jimi Bott,
and bassist Willie J. Campbell, along for the ride were guitarists
Kid Ramos, Ronnie Earl, and Monster Mike Welsch. Vocalists included
Michele “Evil Gal” Wilson, Sugar Ray Norcia and Sugaray Rayford.
Later Geraci recorded with the “The Proven Ones”, a new super group
with guitarist Kid Ramos, bassist Campbell, and singer Brian
Templeton.
On this new album “Blues Called My Name” not only does Sugar Ray
guest as a vocalist on three tracks including “That Old Pine Box”
where he sings of his own mortality, but they are joined by
guitarists Welsch, Barrett Anderson, Walter Trout, and Charlie
O’Neal. Also included are Paul Loranger, or Chris Rathbun acoustic
bass, Jeff Armstrong drums, John Vanderpool, tenor saxophone,
violinist Anne Harris and vocalist Erika Van Pelt. All of the new
songs are originals while the album is dedicated to the memory of
keyboardists Gene Taylor, Mike Finnigan (Phantom Blues Band, and
Bonnie Raitt), and the spirit of the late great James Harman. It
just doesn’t get any better than this.
Richard Ludmerer
Contributing Editor/Making A Scene |
"Blues called my name"
Blue Heart Rec. (USA) - 2022
That old pine box/The blues called my name/About last night/Boston
stomp/Corner of heartache and pain/I go Ooh/Into the night/A ain't
going to ask/Wading in the vermillion/Song for planet earth
Del tema dell’amor perduto č pieno il blues. The
Blues Called My Name, inteso non come album ma come brano che, a
quest’album, dŕ il nome, non fa eccezione. “...I said the blues
whispered she ain’t coming home no more/I just cried like a little
bitty baby when she walked on out that door...” canta, in questo
pezzo col suo tipico ed elegante crooning Sugar Ray Norcia, voce,
armonica e leader dei Bluetones, band nella quale Anthony Geraci č
stato a lungo membro, cosě come Monster Mike Welch che, nel medesimo
brano, affonda decise le note della sua aguzza, affilata chitarra.
Fin dall’introduttiva Old Pine Box, arguta ode alle umane spoglie
mortali, ci č chiaro che Geraci non soltanto č un consumato pianista/organista
blues, ma anche un sagace autore, nel pieno possesso di quella
finezza espressiva tipica dei migliori poeti del genere. Anche se
non tutto č lirica in questo disco: non poche tra le tracce presenti,
infatti, sono strumentali (dovessi sceglierne uno, sarebbe About
Last Night con i suoi seducenti ammiccamenti latini). Tuttavia, con
l’ausilio non solo dei giŕ citati Norcia e Welch, ma anche con
l’apporto della chitarra di Walter Trout, del violino di Anne Harris
a dare un sentore di Big Easy in Wading Through Vermillion e la voce
di Erika Van Pelt in Corner Of Heartbreak And Pain, il disco mostra,
di Geraci, il profilo migliore. Giovanni Robino
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HTTPS://GLIDEMAGAZINE.COM/275699/NEW-ENGLAND-BLUES-STALWART-ANTHONY-GERACI-LEADS-QUARTET-ON-BOISTEROUS-BLUES-CALLED-MY-NAME-ALBUM-REVIEW
A stalwart on the New England blues scene for decades as a key
member of both Sugar Ray & the Blue-Tones and Ronnie Earl and the
Broadcasters, keyboardist Anthony Geraci continues to deliver
stellar work as a bandleader. A GRAMMY winner, BMA winner, and
multiple BMA nominee, the well-respected Geraci yet finds another
new label, in the dwindling number of reputable options for blues
musicians. In fact, the emerging Lancaster, PA-based Blue Heart
Records should receive some kind of award as the Label of the Year
given their roster of Veronica Lewis, Teresa James, and Malaya Blue,
to name just a few. Blues Called My Name is another gem for Geraci
in a line of albums that includes Anthony Geraci and the Boston
All-Stars (2015) Why Did You Have to Go? (2018), Fifty Shades of
Blue (2019), and Daydreams in Blue (2020), the latter of which we
covered on these pages. Also, Geraci plays brilliantly as a guest on
Ronnie Earl’s stellar Mercy Me, also covered here. Geraci’s core
band has been revamped since that last outing. He leads a core
quartet of Paul Loranger (acoustic bass), the returning Jeff
Armstrong (drums), and guitarist Charlie O’Neal. Just as he’s
customarily done, he not only calls on his friends but features them
on select tracks. His buddies from Sugar Ray & the Bluetones,
guitarist Monster Mike Welch and vocalist Sugar Ray Norcia are
prominent on the title track while Norcia also sings on two others
in this mix of vocal and instrumental originals. Also aboard are
renowned guitarist Walter Trout, violinist Anne Harris, vocalist
Erika Van Pelt, guitarist Barrett Anderson, and Boston Blues
All-Star members tenorist John Vanderpool and bassist Chris Rathbun.
The album kicks off, with a tune that actually makes a dying sound
like a cause for celebration in the rollicking “Old Pine Box” as
Sugar Ray Norcia sings about the angels “calling to me” while
following with the title track wherein the blues are calling – “I
said the blues whispered she ain’t coming home no more/I just cried
like a little bitty baby when she walked out that door” to the
commanding, searing guitar of Monster Mike Welch as Geraci delivers
his signature barrelhouse piano rolls. We then hear a couple of
instrumental pieces, the first, the Latin-tinged “About Last Night,”
rendered with his core trio as Geraci takes to the Hammond B3,
another instrument that he has clearly mastered. Geraci is the
purest, sticking with acoustic piano and genuine organ. And, the
rocking piano trio rendering “Boston Stomp” has the kind of
boisterous appeal one could apply to any location. He shows his
natural knack for blues titles in “Corner of Heartbreak and Pain,”
sung with passion by Erika Van Pelt, and follows with a rare vocal
of his own, “I Go Ooh,” an ode to physical attraction replete with
“baby blue eyes” and “thick in the thighs” imbued by early R&B tenor
sax from John Vanderpool. Blues-rock guitarist Walter Trout steps in
for a trademark spiraling flight on the instrumental “Into the
Night” while Sugar Ray returns for the swaggering boogaloo “I Ain’t
Gonna Ask.” Geraci teams with violinist Anne Harris on the expansive
“Wading Through Vermillion,” which begins by evoking a sweaty
journey through a humid swamp before becoming triumphant and
celebratory in its latter alf. Fittingly, Geraci ends with a solo
excursion on “Song for Planet Earth,” a throwback sound to the early
stride pianists of the ‘30s. Yes, as a Berklee graduate, Geraci
knows his blues and jazz history too. Geraci joins his New England
blues brethren Duke Robillard and Ronnie Earl with one of this
year-to-date best blues recordings.
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MAKING A
SCENE INTERVIEW MP3 |
Anthony Geraci
Blues Called My Name
Blue Heart Records
Publicity: Blind Raccoon
By Peter "Blewzzman" Lauro © May 2022
The latest release from Anthony Geraci is titled Blues Called My
Name and from what I'm hearing, it should easily raise the number of
times Anthony's been nominated for a Blues Music Award from fifteen
to sixteen or more, and it could very well add one or more trophies
to the one he's already got.
Surrounding himself with a supporting cast of monsters of the genre,
Anthony Geraci - on piano, Hammond organ and vocals - is joined by:
Sugar Ray Norcia on vocals; Charlie O'Neal, Monster Mike Welch,
Walter Trout and Barrett Anderson on guitar; Paul Loranger and Chris
Rathbun on acoustic bass; Jeff Armstrong on drums and percussion;
Erika Van Pelt on vocals; John Vanderpool on tenor sax; and Anne
Harris on violin. Blues Called My Name contains ten of Anthony's
self-produced originals of which five are instrumentals.
The disc opens with a smoker about a vehicle that will ultimately
carry Anthony home - "That Old Pine Box". Let's all hope whenever it
does pull into his driveway the model of that vehicle is a 2044 or
later. That said, whenever it does arrive Anthony appears to be
prepared, according to him it will be driven by angels 'cause he's
already on a stairway to heaven.
The title track, "The Blues Called My Name" has song of the year
written all over it. It's old school, slow blues at its absolute
finest, being done by some of the genres finest. Knowing his tenure
and how many greats he's played with over the decades, right now,
Anthony is at the top of his game on the keyboards. Vocally, there
aren't many that can touch Sugar Ray on these types of songs and
surely the same could be rightfully said for Monster Mike on guitar.
It's no wonder why when they all played together, the Bluetones were
a constant force to be reckoned with.
The first of the discs five instrumentals is titled "About Last
Night". Since there are no lyrics, I'm not exactly sure what last
night was about, but it's Latin Jazz vibe has me thinking some
cha-cha, rumba and/or salsa dancing was involved. It features
brilliant Hammond organ work by Anthony; dazzling guitar leads by
Charlie; lively rhythm led by the outstanding percussion work of
Jeff. Definitely different from anything I've heard Anthony do but
nonetheless, very interesting and very well done.
Some of the most notable intersections I've stood at were Haight &
Ashbury in San Francisco; Thirty-Third & Third in Manhattan;
Hollywood & Vine in Los Angeles and, of course, Highway 49 & 61 in
Clarksdale. On the other hand, one that I hope I never find myself
at is the "Corner of Heartache & Pain". Lyrically it describes a
place I never want to be a part of yet musically, it's something I
always enjoy: a slow bluesy ballad being sung by a female vocalist
with a strong and sultry voice - enter Erika Van Pelt; slow, and in
this case, organ led rhythm; extended piano leads with most of it
being at the high end of the keyboard; and scorching blues guitar
licks.
If you're wondering what might make Anthony say, "I Go O Oh"
(actually, it's o oooh o ooooh ooooo), among other things, one is
making love in the afternoon until it's time to go. Being the only
track on which he sings, Anthony does quite an admirable job. With
Anthony flailing away at the keys; John wailing away on the sax; and
Paul and Jeff at disc's best on its most profound rhythm; this is by
far the hottest track musically.
I know this is his album and not hers, but Anthony added Anne Harris
to the ensemble for a reason and since it's her only appearance, I
can't help but focus on her. With Anthony, Paul and Jeff putting out
such an exotic danceable rhythm - which is actually highlighted by
Anne's own violin playing - I just can't get the picture of her
rubber band like body making those attention commanding gyrations.
Anyone who has seen her knows exactly what I'm talking about.
Many years ago, while walking down a street that was off the beaten
path in the French Quarter of New Orleans, I was drawn into a joint
by the sound of a piano that could be heard from the street. It was
midday and the dozen or so of us that were in the place were treated
to a most memorable and magnificent performance by none other than
the late, great Al Broussard. "Song For The Planet", the disc's
closing track featuring just Anthony and a piano, very much reminded
me of that day.
Other tracks on Blues Called My Name include two more instrumentals:
"Boston Stomp" and "Into The Night" which, because of Walter Trout,
features some of the disc's best blues guitar leads; and "I Ain't
Gonna Ask", again featuring Sugar Ray on the vocals.
To find out more about Anthony Geraci and his newest release, Blues
Called My Name, just go to - www.anthonygeraciblue.com - and should
you have not yet received your copy for airplay, please contact
Betsie Brown at www.blindraccoon.com. Remember, wherever you go and
whoever you contact, please let them know the Blewzzman sent you.
Peter "Blewzzman" Lauro
Blues Editor @ www.Mary4Music.com
2011 Keeping The Blues Alive Award Recipient |
By Mike O’Cull, RockandBluesMuse.com
Blues Music Award-winning keyboardist, songwriter, and composer
Anthony Geraci unleashes a lifetime of greatness on his new solo
album Blues Called My Name. Available now on Blue Heart Records, the
set finds Geraci sounding better than ever on a winning mix of vocal
tracks and instrumentals.
Geraci produced the record himself and did a fine job of showcasing
his mighty style on piano and Hammond organ. He’s backed on these
wonderfully-captured moments by Paul Loranger on acoustic bass, Jeff
Armstrong on drums, and Charlie O’Neal on guitar, a tight and
capable trio with a deep pocket. Special guests including Monster
Mike Welch, Erika Van Pelt, Anne Harris, Sugar Ray Norcia, and
Walter Trout augment the core four-piece studio band in the
best-possible ways and bring their heavyweight vibes to Geraci’s
blues experience.
Anthony Geraci has been playing the daylights out of the blues for
the last 40 years. Originally from New Haven, Connecticut and now
based in Boston, Massachusetts, he’s an original member of Sugar Ray
and the Bluetones and Ronnie Earl and the Broadcasters. He has
performed with the likes of B.B. King, Muddy Waters and Jimmy
Rogers, as well as countless other legends of the blues and
important contemporary acts. In addition, Geraci graduated from
Berklee College of Music with a B.A. and earned an M.A. from
Skidmore College. He’s been nominated for a Grammy Award, nominated
fifteen times for Blues Music Awards and won a Blues Music Award.
He’s considered one of the top keyboard players in the blues scene
and anything he’s involved in is worthy of your listening time.
Geraci kicks his party off with “That Old Pine Box,” a hard-punching
song about dying that features Sugar Ray Norcia on lead vocals. It’s
an energetic ode to the acceptance of one’s mortality and is less
threatening and more spiritually enlightened than typical blues
fare. Here, the pine box isn’t a trap but a vehicle going home,
which is an entirely different point of view than the “Hellhound On
My Trail” Robert Johnson-isms so prevalent in blues lyrics. Geraci
tears it up on the piano like the big dog he is and will get you
dancing and thinking quickly.
“The Blues Called My Name” is pure vintage heartbreak blues and
absolutely smolders with the pain of it all. Monster Mike Welch
jumps in on guitar and contributes some hot, snarling licks while
Sugar Ray again croons out the vocals. Anthony Geraci plays this
old-school blues style extremely well, anchoring his piano
accompaniment and solos way down in the groove. This is high-end
playing and songwriting that demonstrates Geraci’s commitment to the
blues and to the nuances involved in getting it just right.
Speaking of vintage, Geraci’s original instrumental boogie track
“Boston Stomp” displays his mastery of the old ways and how he can
make them jump once again. His left hand pumps out unstoppable bass
lines while he takes commanding and intricate solos with his right.
This one is nothing but fun and will light you up with a single
spin.
Geraci takes the lead vocal position himself for the only time on
the record on the upbeat “I Go Ooh.” The song is a dance floor
filler that features a delicious swing feel and more big boss piano.
Anthony’s vocals are just as enjoyable, however, and he should
consider singing more of his own tunes. In any case, this is a
rocking cut that’ll get you feeling good and isn’t that why we’re
here?
Geraci and friends dip into Big Easy territory on the hip-shaking
instrumental “Wading In The Vermilion,” which brings in Anne Harris
on violin. Her presence and texture change the feel of the group in
a subtle way that makes this one of Blues Called My Name’s best
selections. There are no missteps on the record, though, and nothing
here misses the mark. Anthony Geraci is a beast on all levels and
may well be the finest keyboardist in roots music today. Give this
one a revolution or two and see if you don’t agree.
Listen to “Into The Night (Feat. Walter Trout)” |
Blues Called My Name: If that long ago first wave of white boys
that rocked up the blues knew the difference between a groove and a
jam, there would have been a lot fewer records in the bargain bins
that eventually got scrapped. This cat that’s proven his
piano/organ mastery in the past delivers the penpenultimate set this
time around. With a guest list worth the price of admission alone,
this is the text book on how to get it done. Just plain sizzling.
(Blue Heart 28)
Volume 46
May 9, 2022
MIDWEST RECORD
http://midwestrecord.com/MWR1891.html
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Kentuckiana Blues Society. Louisville,
Kentucky. June 2022 news letter.
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Written by Fred
Delforge |
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Thursday, 02 June 2022
Blues called my name (Blue
Heart Records – Blind Raccoon – 2022)
Duration 46'54 – 10 Tracks https://www.anthonygeraciblue.com
Native
of Connecticut, Anthony Geraci felt a very
strong inclination for the piano from the
age of four and even though his parents had
no interest in music, they decided to
support the will of their son and the
accompany in a direction that will lead the
artist to create his first band with a high
school friend as a teenager to finally find
a place of choice by accompanying big names
like Muddy Waters, BB King, Otis Rush, Chuck
Berry, Big Mama Thornton , Big Joe Turner,
Jimmy Rodgers and many more. Studio
musician, Anthony will record alongside Big
Walter Horton, Ronnie Earl, Big Jack
Johnson, Zora Young, Sugaray Rayford, Debbie
Davies or Kenny Neal and will build a
reputation that today precedes him and makes
him a very popular musician. in the whole
world. Nominated for the Grammy Awards in
2000 but also fifteen times for the Blues
Music Awards, the pianist will finally
receive his statuette in Memphis in 2021 and
it is this time on the Blue Heart Records
label that he returns with "Blues Called My
Name", an effort on which he invites
accomplices like Anne Harris, Walter Trout,
Sugar Ray Norcia, Monster Mike Welch, Erika
Van Pelt and the Boston Blues
All-Stars. Between blues songs and
instrumentals, Anthony Geraci delivers a
carefully dosed prescription in which he
goes from the piano to the Hammond organ and
where he indulges in compositions that
highlight his talents for everything related
to blues, boogie , rhythm'n'blues,
rock'n'roll and all the genres that revolve
around it. We will appreciate titles like
"That Old Pine Box", "I Ain't Going To Ask"
and the tittle track on which Sugar Ray
Norcia lets his voice enchant us, which
won't prevent us from adoring the discovery
of cracks like "Boston Stomp", "I Go Ooh" or
even "Wading In The Vermillion" on which the
violin and the acoustic bass bring very
interesting colors. Available since the end
of May, "The Blues Called My Name" is a very
successful album by the pianist from Boston
who, in addition to being a very talented
musician, is a man of great kindness and a
real transmitter of knowledge who gives a
lot for the training of young people! "I Go
Ooh" or "Wading In The Vermillion" on which
the violin and the acoustic bass bring very
interesting colors. Available since the end
of May, "The Blues Called My Name" is a very
successful album by the pianist from Boston
who, in addition to being a very talented
musician, is a man of great kindness and a
real transmitter of knowledge who gives a
lot for the training of young people! "I Go
Ooh" or "Wading In The Vermillion" on which
the violin and the acoustic bass bring very
interesting colors. Available since the end
of May, "The Blues Called My Name" is a very
successful album by the pianist from Boston
who, in addition to being a very talented
musician, is a man of great kindness and a
real transmitter of knowledge who gives a
lot for the training of young people!
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https://www.keysandchords.com/album-review-blog/anthony-geraci-blues-called-my-name
Piano and Hammond
organ virtuoso Anthony Geraci is one of the most influential artists
of his generation. Anthony was barely four years old when he told
his parents that he would become a pianist. He literally and
figuratively plays with the 'who's-who' of this blues world. He is
also an original member of both Sugar Ray & The Bluetones, and
Ronnie Earl & The Broadcasters. Anthony was also nominated several
times for his contributions to various albums. Boston-based
pianist/songwriter Anthony Geraci has a new album on the shelves
with 'Called My Name', the successor to 'Daydreams In Blue' from
2020. In the opener 'Old Pine Box' Sugar Ray Norcia can perform the
vocal part. . A lost love has always been one of the most popular
themes in blues, and Geraci continues the tradition in the title
track "The Blues Called My Name." Guest Monster Mike Welch's guitar
licks go hand in hand with Geraci's barrelhouse piano tunes. The
next highlight is 'About Last Night', a Hammond organ Latin groove
song. Just like the steamy piano arrangements from 'Boston Stomp'.
In 'Corner of Heartbreak and Pain' we are introduced to the vocal
timbre of Erika Van Pelt, just as Geraci spreads out his one-off
vocality in 'I Go Ooh'. Guitar wizard Walter Trout colors 'Into The
Night', and Sugar Ray takes on the vocal part in 'I Ain't Gonna To
Ask'. To close the release with the instrumentals 'Wading In The
Vermillion', with a musical acceleration by violinist Anne Harris
and 'Song For Planet Earth', in which Geraci reminds us one last
time what a dazzling talent he is.
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https://www.soundguardian.com/index.php/blues-corner-kolumne-53/59345-anthony-geraci-blues-called-my-name
Sound Guardian BLUES CORNER
Sjajna predodređenost izvrsnosti albuma "Blues Called My Name"
Anthonya Geracia je nedvojbena. Album je objavljen 20. svibnja od
strane Blue Heart Records i uz radijsku promociju Blind Raccoona.
I, nažalost, slijedom razno raznih, većinom privatnih obveza, nisam
ga uspio obraditi u razdoblju njegove ekskluzivnosti, ali priča sada
poprima potpuno novi kontekst i držim da se uopće nije udaljila od
tog njenog atributa.
Anthony Geraci svojom je reputacijom, izvrsnom svirkom i apsolutno
fleksibilnim stavom prema svojim kolegama glazbenicima, iz njih
uspio, po tko zna koji puta, izvući doista ono najbolje. Svi oni
svakako u studiju žele stvarati opušteno, bez pritisaka i kada im je
to omogućeno, njihova glazba doslovno će vam cvjetati pred očima i
ušima.
Anthony je dobio svesrdnu potporu od svojih kolega glazbenika i da,
doista nema nikakve dvojbe, ovih briljantnih 10 pjesama će biti
strašni poticaj svima vama koji volite blues i sve što je u bliskoj
vezi s njim.
Upravo to nam govori da je Anthonyjeva ekipa odlučila imati ama baš
sve u svojim rukama. Rezultat? Istinska uživancija u svakoj od 10
snimljenih i ponuđenih pjesama. Zašto? Pa, Anthony je već sa svojih
nepune 4 godine života tražio roditelje klavir, glazba je
jednostavno dio njega i on je doista živi svim svojim bićem. Glazba
je nesumnjivo njegova najveća strast, kojom se budi i liježe ama baš
svaki dan.
Od samog početka njegovi mentori i učitelji prepoznavali su njegov
talent i apsolutno izgrađene velike osjećaje za improvizaciju. Svoje
obrazovanje nastavio je i završio na Berklee College of Music u
Bostonu. No, izvan ovake prestižne institucije Anthony je svoje
školovanje i glazbenu edukaciju dobrano nastavljao i provodio sve
više i više. Kao mladić, Anthony se sprijateljio sa Edom Cherryjem,
koji je postao vrstan jazz gitarista. Kao i mnogi drugi mladi
glazbenici, njih dvojica iz dana u dan, iz godine u godinu, odlazili
su kući poslije škole i slušali su blues. Muddy Waters, Buddy Guy i
Jimmy Rogers bili su predmet dugotrajnih studioznih preslušavanja i
pronicanja u vrijednosti ove jedinstvene glazbe. To je, zapravo, i
najveća vrijednost i ljepota bluesa, koji je toliko složen u svojoj
jednostavnosti. Kada imate 16 godina i kada se palite na album,
poput briljantnog "Chicago Bound" Jimmy Rogersa, pri tome
doživljavate istinsku oluju u vašem biću. Da, tu oluju ne možete
obasniti, ali ona je tu i ona vam je sve. To je to, doista, uvijek
nevjerojatno poimanje i percepcija blues glazbe. Kada tome dodate
činjenicu da je samo pet godina kasnije Anthony dijelio sobu upravo
s velikim Jimmyem Rogersom, svojim istinskim glazbenim guruom onda
je to ispunjenje svih snova.
Do danas, Anthony je svirao i snimao sa nekim od najvećih blues
izvođača u najprestižnijim blues klubovima, festivalima, koncertima
diljem svijeta. Muddy Waters, Big Joe Turner, JB Hutto, Big Walter
Horton, Otis Rush, Big Mama Thornton, Hubert Sumlin te Jimmy Rogers,
samo su neki od njih. Anthony bio je i jedan od osnivača Ronnie Earl
and the Broadcasters. No nekako je Geraci vjerojatno najpoznatiji
kao jedan od osnivača Sugar Ray and the Bluetones. I eto, nakon
punih 38 godina, Anthony je i dalje bitna komponenta tog benda, koji
je još uvijek vrlo aktivan, s izuzetno snažnim utjecajem na općenito
današnju svjetsku blues scenu. S druge pak strane što se tiče
utjecaja na glazbeno biće Anthonyja, on je vrlo razvučenog, širokog
dijapazona od ‘boogie woogie masters’ poput Meade Lux Lewisa i Pete
Johnsona do New Orleans pijanista kao što su Professor Longhair i
Huey “Piano” Smith. Pored njih ne možemo zaobići ‘Chicago blues
masters’, kao što su Otis Spann, Eddie Boyd i Memphis Slim. Na kraju,
i bez obzira na sve, Anthony je izgradio svoj vlastiti glazbeni
izričaj kojeg je nazvao ‘Anthony Blues Stew’ i to je upravo ovo što
čujem.
Anthony i društvo imali sve u svojim rukama, pa ovih deset
snimljenih pjesama zvuči doista svježe, plesno, grleno i da se uz
njih itekako možemo dobro zabaviti!
Na kraju, da zaključim, Anthony Geraci i ovakva paklena ekipa
ispunili su svoju zadaću, svoju misiju i sada itekako snažno idu
dalje. Jedva čekam da sve to opet čujem!
Preporuka
Anthony Geraci sa svojim bendom i novim studijskim albumom "Blues
Called My Name", doista su osvježili svjetsku blues scenu.
Provjerite zašto?!
Više o svemu saznajte na:
www.anthonygeraciblue.com
www.facebook.com/AnthonyGeraciBlue
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Living Blues
Click Here for
full size review |
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Lahora del Blues
Artista / Grupo: Anthony Geraci
Album: Blues Called My Name ,
Discografica: Blue Heart Records / Blind Raccoon
Ano publicacion: 2022
Fecha critica: 07/2022
Valoracion: GREAT
Sitio web: http://www.blindraccoon.com
Anthony Geraci is certainly one of the most outstanding classic and
genuine blues piano players, framed on a style we could consider as
old school urban blues, honky-tonk and boogie-woogie. Years of study
and dedication confirm his professionalism and has been one of the
fundamental pillars and founder of the legendary Sugar Ray And The
Bluetones. He has also been nominated to the Grammy Awards, he was
winner of 2021 Blues Music Awards and has graduated with honors from
Berklee College Of Music.
This new album features ten own compositions, half of them
instrumental and the rest sung by Sugar Ray Norcia, the song Corner
Of Heartache And Pain by vocalist Erika Van Pelt and Anthony Geraci
himself is on vocals in I Go Ooh. Geraci plays piano and Hammond and
has also a deluxe cast of guests like Anne Harris on violin, Walter
Trout and Monster Mike Welch on guitars, together with the
outstanding support of The Boston Blues All-Stars.
Along the whole album Geraci shows that, not only he is a high
voltage blues player, but he is able to also play other styles like
jazz, with a remarkable swing and groove.
A fantastic album with remarkable blues songs, lights, colors and
beautiful harmonies that, on Geraci's hands, become great
masterpieces that will not go unnoticed for listeners.
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